My process is impulsive; an expressive response. It's about capturing
transitory moments. Memory and nostalgic sensibility are key influences in my
work. Landscapes become points of departure, where I can focus on reducing
planes in a minimalist manner, concentrating more on essence and atmosphere. My
goal is to look for connections between things: how one color flows into
another; forms engage and separate; how one point in space influences
another, creating landscapes that become abstractions of color, rhythm and texture.
This is the quiet place in my mind. It's fleeting; a place from
memory that seems familiar to the viewer but is somehow elusive. I honor a sense
of remembrance in the empty spaces. My process is meditative; solitary. Since
the death of my father, I struggle with a sense of loss, which translates
through my work. There is an underlying pensiveness, even melancholy; an
acceptance of what is and what may pass and the sense that there is something
greater and unknown.
transitory moments. Memory and nostalgic sensibility are key influences in my
work. Landscapes become points of departure, where I can focus on reducing
planes in a minimalist manner, concentrating more on essence and atmosphere. My
goal is to look for connections between things: how one color flows into
another; forms engage and separate; how one point in space influences
another, creating landscapes that become abstractions of color, rhythm and texture.
This is the quiet place in my mind. It's fleeting; a place from
memory that seems familiar to the viewer but is somehow elusive. I honor a sense
of remembrance in the empty spaces. My process is meditative; solitary. Since
the death of my father, I struggle with a sense of loss, which translates
through my work. There is an underlying pensiveness, even melancholy; an
acceptance of what is and what may pass and the sense that there is something
greater and unknown.